Having taken the beginner class in foundation piecing** from Jane Hall and Dixie Haywood in Houston, I jumped at the chance to study with foundation-piecer extraordinaire Karen Stone when she came to EBHQ in the late 90’s to speak and teach classes. My Starshine quilt is the product of that class and is made from Karen’s Lady Liberty pattern.
Karen has a wonderful technique for identifying the different areas of the block and then distributing the different colors within these areas. In addition, she taught us the intricacies of using foundations to make sewing the curved seams easier.
For this quilt, I used the same color palette as my Triad quilt (seen here), adding purple as an extra color. And note how intense these colors seem when the quilt is photographed on a black background.
Here is a detail of four blocks put together.
What surprises me about this quilt today is its lack of quilting. I know I was having trouble at this time trying to figure out how to machine quilt these creations of mine that have soooooo many different fabrics in them. What color thread is best for the quilting? Will you even see the quilting on these blocks? It seems I took the easy way out and quilted the whole thing in the ditch. Might do it differently today.
This quilt is another example of my discounting my work merely because it was made using someone else’s pattern. I loved making it, and I love the product, but I folded it up and put it aside, writing it off as a so-so work, and not thinking much more about. It was not until I was showing some of my quilts to a group of non-quilters that I had a change of heart. One of the group pulled this quilt off the storage shelf, opened it up, and raved about it, so I looked at it again with new eyes. It’s really kinda cool.
P.S. . . .
A couple more of the fabric postcards I’m working on, not finished yet. Afraid I’m becoming obsessed.
**Jane and Dixie always call their work “foundation piecing” to distinguish it from English paper piecing (EPP), which is a method done by hand.